donderdag 27 december 2012

the biggest Dutch Design library in Yangon

Dau Dai Zum Zang
On Sunday morning at 7 o'clock our friend Dau Dai Zum Zang arrives at Schiphol, it is his first trip outside his homeland Myanmar. Although it is 8 degrees that day, a reasonably mild temperature for this time of year, for Dau Dai it is extremely cold, an experience that, as he explained us later, he can't describe in words to his girlfriend back home. The first thing he does that day, is go into town and buy the heaviest wool sweater he can find. 

Dau Dai travels to the Netherlands on invitation of the Premsela Organization, the Netherlands institute for Design and Fashion and is asked to take part in a program on Design & Political activism. As an English speaking young graphic designer living in Yangon, eager to learn, open minded and seriously aware of his the role of connector and of his responsibility towards his colleagues in Yangon, Dau Dai is a perfect choice. 

Premsela has organized an extensive five day program of meetings with top of the bill designers, with visits to museums and galleries. There are also with some exclusive events, such as a meeting with the Mayor of Amsterdam who organizes a reception in honour of the 2012 Prince Claus Awards at his official residence. He also has been invited to a reception by the queen. And for this occasion Dau Dai is wearing his traditional Burmese outfit. 

We don't see our friend very often that week, his program is extremely dense with hardly any spare time left. Luckily he has some days left after the program. We invite him to stay at our place.  Dau Dai goes to the Albert Cuyp market, afterwards he expresses his sincere surprise about the fact that white people are actually working, being only used to meet white people who can afford to travel to his country and stay at expensive hotels. At night he posted a picture on Facebook of a lonely seagull outside his hotel. His comment: "The bird is very fat."

The day before Dau Dai returned to Yangon we make a trip to Eindhoven, to the Design Academy. On invitation we may witness that afternoon what happens during a graduation at the Design Academy. We can experience the atmosphere and have a sneak preview of the presented projects with some exclusive presentations by the students themselves. 

Two students from two different departments present to us in an informal lightweight manner their joint project. There seems to be a nice parallel between the chemistry of the two students and the presented research on the combining of earthenware with porcelain in one object. Interesting to see how research comes to life when it is presented in an aesthetic way, when the visual appearance support the story, when the story connects well with the person who presents it, and when the story makes sense. Logic and poetry together definitely works well!
  
During the introduction one of our guides explains to Dau Dai about the points of view of the Design Academy about the emphasis in the first academic year on creating a design mentality before focussing on the actual design process. Using mentality as a fundament, responding to the fact that the role of the designer of today is broad and can be developed in any direction; Advisor, reviewer, builder, connector, researcher, storyteller are just a few examples. Mentality building also as response to the need for a flexible approach as designer. An example mentioned is the rapid development of the 3D printing process, it raises the question whether design is still the exclusive domain of the designer, what can are the new demands in this context?

We end up having diner at long tables set for the tutors and the commissioners, next to use a group of tutors is still in their decision making moment, fragments of their discussion are surrounding us while enjoying our risotto with truffle. We really feel part of process and are impressed by the open attitude of the Academy.

It is a long way from any kind of education in Myanmar. When I ask Dau Dai at the end of our visit what his general impression is, he ends up comparing the Academy with big a play-ground which sounds in a pleasant way quite familiar to me. In that respect nothing has changed after all.

It turns out to be a special afternoon and the perfect conclusion of Dau Dai's trip. The Academy is very generous and gives him a wide selection of catalogs and publications. He got an extra large bag to bring home all those fantastic books he got on this trip. It takes some typical Myanmar style switching of bags and a lot of repacking during check-in. But right now, he has the biggest Dutch Design library in Yangon. 


Christmas in Eindhoven

zondag 16 december 2012

The best things in life are free

The history of design has been documented extensively. It is not difficult to inform yourself nowadays. Most contemporary museums have their design collections, the choice of books is overwhelming and put the word 'design' in Google and you will be confronted with a staggering 5 billion hits.

Design has been influencing our lives and lifestyles for some decades now and the historical interest is providing some context to new developments in the field. But the laws of history are as relentless towards designers as they are towards political heroes and villains. To make sense in a broader context, we need to simplify the individual events. We all have that image in our head that we saw in the museums and that we saw in the books. And periods that are further in the past get reduced to fewer items.


The fact that these items are forgotten is no indication for the lack of style and quality. There is a substantial market for hardcore collectors. They appreciate the high quality of the craftsmanship or the exclusivity of the items. They meet at auction houses like Sotheby's and it's wonderful that we are all able to peek over their shoulder. Sotheby's has a wonderful online catalog of their auctions and the iPad app is a fantastic way to educate yourself by drooling over forgotten classics and the discovery of many new masterworks that come from private collections. There are about 8 major auctions each year on design globally. I'll share some of my personal highlights from recent auctions with you
:

Pair of  oak and vellum cabinets circa 1925 by Jean-Michel Frank 1895-1941. Surprising use of vellum, semi translucent paper made from calfskin












A wood and partially grey lacquered double sided cabinet by le Corbusier and Pierre Jeanneret, circa 1927


































La Polonaise, etching, aquatint by Tamara de Lempicka, 1933    


City Daybed by Jean Prouvé, 1949
Strangely detailled fishlamp by Frank Gehry, 1983

The iPad app can be found in the app store. And it's free! The app downloads the complete catalogue and also has some beautiful video portraits. Many past auctions are browsable online. Design is just one of the many themes in the Sotheby's auctions. Highly recommended!







vrijdag 7 december 2012

Blending in

Suspecting that Todays Orange weather alert will keep the crowd at home and the Amsterdam Stedelijk Museum empty I feel finally ready to visit this recently reopened building.

I am not sure yet what to think of the bathtub shaped new museum extension that contains the new main entrance but today its appearance blends in perfectly well with the temporary snow white environment. I wonder, does an architect consider the different seasons when designing a building?

I arrive just in time to mingle in with a troop of excited school children. Threatened by some circulating snowballs I quickly dive into the big white bathtub, once inside it feels warm and safe. This almost floating monumental space offers an instantly agreeable atmosphere, bright and airy.

I am not the only visitor after all but the gathered crowd easily hives of in all directions and in no time is swallowed by the spick and span spacious museum halls. One of the guards explains me that in the weekend there are over the 5000 visitors a day. It feels like the new building can easily digest this.

This first visit is just a quick orientation, some halls are closed since the museum is working on the delayed Mike Kelly exhibition that will open December the 15th. During my tour there are two things that catch my attention;

In one of the ground floor halls metal cabinets are placed against the wall, visitors are allowed to open the drawers. Nicely arranged vulnerable design related objects are presented, each drawer contains a new visual surprise. Exploring the content of the drawers is definitely fun.

Close to the former entrance, underneath the famous staircase is a small space, painted red, called the Family Lab. The entrance radiates a nice red glow from within and seduces the families to enter.Theme related activities are organized and films are shown, I see some beautiful drawings on the wall...

Stedelijk museum Amsterdam, the new entrance

Stedelijk museum Amsterdam, the new entrance
Staircase and parallel escalator surrounded by yellow walls in new building

Metal cabinet with Design surprise 

Poster wall with entrance of Family Lab
Family Lab
Family Lab,  drawings depicting 'motion'